Change in flogging focus: It occurs to me that free books have a very low bar to clear for making a “sale,” and their first pages don’t have to do much to clear that hurdle. But ask me to pay for a book? There’s a challenge. So I’m switching to flogging books that cost, starting with the 99¢ variety.
Writers, send your prologue/first chapter to FtQ for a “flogging” critique. Email as an attachment. In your email, include your name, permission to use the first page, and, if it’s okay, permission to post the rest of the prologue/chapter.
Many of the folks who utilize BookBub are self-published, and because we hear over and over the need for self-published authors to have their work edited, it’s educational to take a hard look at their first pages. A poll follows concerning the need for an editor.
When you evaluate today’s opening page, consider how well it uses elements from the checklist of first-page ingredients from my book, Mastering the Craft of Compelling Storytelling.
Donald Maass, literary agent and author of many books on writing, says, “Independent editor Ray Rhamey’s first-page checklist is an excellent yardstick for measuring what makes openings interesting.”
A First-page Checklist
- It begins to engage the reader with the character
- Something is wrong/goes wrong or challenges the character
- The character desires something.
- The character takes action. Can be internal or external action: thoughts, deeds, emotions. This does NOT include musing about whatever.
- There’s enough of a setting to orient the reader as to where things are happening.
- It happens in the NOW of the story.
- Backstory? What backstory? We’re in the NOW of the story.
- Set-up? What set-up? We’re in the NOW of the story.
- The one thing it must do: raise a story question.
Next is the first chapter opening from Hold Your Breath, a thriller. A poll follows the opening page below. If you don’t want to turn the page, then I’m thinking that this author have hired an editor.
London passes me in a grey blur. I keep thinking it’s going to snow. Part of me would like that – to be stranded here on a train in a snow drift, unable to move forward or backward. Trapped in a vague sort of limbo; a physical manifestation of the state I’ve been in for most of my adult life. But I’ve shifted into an unsettling, uncharted realm since I got the phone call yesterday morning.
The voice of the woman at the other end of the line had cut through the dullness of my sleep-muffled brain. Part of me had been waiting for her call, and another part was sure that it would never come; that this sort of thing happened to other people, not me. How stupid that sounds, thinking about it now.
‘Am I speaking to Katherine Marchland?’ she’d asked in her businesslike tone. ‘Formerly known as Katherine Carlson?’ I’d told her she was, and she had continued as I’d sunk down onto my bed, clutching at the duvet, hoping it would protect me. ‘Ms Marchland, my name is Detective Inspector Cousins of Northumbria Police. I need to ask you to present yourself at Wickton Close Police Station, Newcastle tomorrow afternoon at 3 p.m. to be interviewed under police caution. You are not under arrest at this time, but I have to inform you that you may be liable to arrest if you fail to turn up at the appointed time. You are of course free to bring legal representation with you, or you can access free legal advice through a duty solicitor if you (snip)
You can read more here. This novel earned 4.3 stars on Amazon. There’s a little more musing than I like here, but the writing and voice are strong. And I’ll admit that there is strong mood here, a dark one. Then the recall of the police inspector brings up a pretty strong story question or two, and the dark mood of the opening gives them strength. What has this person done to warrant such a call from police? There’s jeopardy ahead—will she be arrested. For me, this works, and I’m thinking about pulling out my 99 cents. Your thoughts?
Cover critique
The strong title using a phrase common to children over the silhouette of a child in a mysterious woods in the dark does a lot to communicate mood and the thriller nature of this story. The title rightfully dominates with the font and color. The author name, though, is weak and needs boosting. But it’s a strong cover, IMO. Your thoughts?
Writing Craft Mastering the Craft of Compelling Storytelling
Mystery (coming of age) The Summer Boy
Science Fiction Gundown Free ebooks.