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    Comments

    Christine H.

    One more P.S. I actually liked the tootsie roll thing. It kind of explains a little of why he's so jumpy - he's obviously an ex-smoker who's still struggling to completely quit.

    Ray Rhamey

    Christine, what I intended is to raise a bunch of story questions. By the way, there is no such thing as a "mere" female. Quite the contrary, in my view.

    One story question is how people can be armed if there are no guns? Another way to put it is this--a lead character says that if the Alliance were asked if it was for or against guns, the answer would be "yes." You have to read the book to find out how that's possible.

    I've struggled with how to open this story. It has, in the past, opened with the Jake Black character--but that scene didn't allow the scope and overarching conflict to be shown. The current opening chapter does that, and introduces an antagonist.

    As for violating the Constitution, the intent is to show that one person's violation is another's way to fix things gone badly wrong. It's all supposed to be food for thought.

    If you want to read more, just let me know and I'll email a link to the PDF.

    Christine H

    I think it's a matter of "food for thought" versus being a little too obscure. If you said outright that "the Alliance had come up with an effective form of self-defense that wouldn't violate the firearms ban," then that would intrigue me. But the way it was written, I felt I'd have to work a little too hard to figure it out.

    I totally relate to your struggle with the opening. You know I'm having the same struggle. I'm now considering chopping my "new" first three chapters (essentially erasing most of the the work I've done since last April) and going back to the "old" opening which is now Chapter 4. But then I have issues with trying to effectively weave certain information into the story. So I definitely feel your pain.

    As a reader, I've never liked opening with the antagonist. I need a reason to keep reading, and as a "mere female," tension and the threat of violence isn't enough. That's what I meant by that comment. I'm not hooked by plot-driven situations, but by a connection with a character, which I don't really have yet in this piece, although it's close.

    Christine H

    Hi there, Ray! Thanks for your reply.

    I think it's a matter of "food for thought" versus being a little too obscure. If you said outright that "the Alliance had come up with an effective form of self-defense that wouldn't violate the firearms ban," then that would intrigue me. But the way it was written, I felt I'd have to work a little too hard to figure it out.

    I totally relate to your struggle with the opening. You know I'm having the same struggle. I'm now considering chopping my "new" first three chapters (essentially erasing most of the the work I've done since last April) and going back to the "old" opening which is now Chapter 4. But then I have issues with trying to effectively weave certain information into the story. So I definitely feel your pain.

    As a reader, I've never liked opening with the antagonist. I need a reason to keep reading, and as a "mere female," tension and the threat of violence isn't enough. That's what I meant by that comment. I'm not hooked by plot-driven situations, but by a connection with a character, which I don't really have yet in this piece, although it's close.

    Christine

    Colleen

    Hi Ray,

    I like the action in your opening page, it's the order that's problematic for me. It feels a bit like disparate elements stacked up on one another. I also agree with those who think there's too much backstory too early, and interesting tension that dissipates too quickly. I loved the fifth line "Kurt Dengler used his cell phone to call the number only he..." I think it's worth starting with, because it instantly immerses me in their intimate relationship. Women are interested in the nature of relationships first, and the plot elements second. What if you weaved Kurt's actions into his exchange with the President and only dropped in brief snippets of the backstory, at least in the first few pages. Although my version may not fit your voice or elements crucial to the plot, I'm suggesting something like this:

    Kurt Dengler used his cell phone to call the number only he, the First Lady, and the Secret Service had. The president’s gravelly voice said, “Hey, Kurt.”

    “We need to talk about a threat that needs to go away, Mr. President.” Kurt aimed his grandfather’s Colt .45 automatic at Noah Stone’s smile.

    Leo Grant sat up, alarmed by his Chief of Staff’s urgency. “Not in the Oval. Too many microphones.”

    Kurt cocked the hammer. “Got it. The garden, then.”

    “See you in five.”

    Kurt squeezed the trigger, the firing pin clicked on the empty chamber, and there was no hole in the enemy’s forehead. Noah Stone’s photo looked up at the muzzle from a Time magazine cover; the headline read, “Pied Piper of the West.” Evil bastard.

    Kurt hung the .45 on its pegs at the bottom of the plaque that held his grandfather’s Bronze Star medal. He snatched up the Time and the new polls, and left his West Wing office for the Rose Garden.

    On the second page, I want to know what specifically the Alliance is doing that's so terrible, and what the President's administration has "worked so hard to achieve", or at least some hints.

    Thanks for the chance to look at your WIP. The concept is intriguing.

    Marcel

    Hi Ray. A book that comes across as a debate on the second amendment is of absolutely no interest to me. And that's how it comes across on the back cover blurb, IMO. I enjoy a good political thriller, but it almost has to be based on international conflict(a la Tom Clancy, the early years). Otherwise, it comes across as a Republican versus Democrat lowest denominator point-of-view, hair-pulling contest on whatever particular issue (as has been demonstrated by a previous poster already). So I'm not in your target audience, so keep that in mind.

    Personal tastes aside, neither page grabbed me. As others have pointed out, it feels like you tried too hard. The first scene feels forced. It's only story-based purpose is to set up, by phone, the meeting with the president. So, in order to justify such a mundane and unnecessary scene, you had to jazz it up. In doing so, the tension comes across as contrived.

    The second scene was just too generic. As others pointed out, you probably need to get some specifics in there to generate the needed interest.

    By the end of the samples, neither character had grown on me. I found Ken annoying, actually, and the prez neutral.

    The writing and voice were fine, but I don't think that's enough to generate the interest you are looking for.

    Why don't you post the beginning you had with Jake Black? Let us see if we like that one better.

    Anyways, I wish you the best of luck with this.

    Gumption Brash

    Like Colleen's example of the first page. Neat. It grabs you from the get go and keeps the tension going.

    Ray Rhamey

    "Debate on the second amendment" shows you how difficult it is to position this book. It isn't a debate about that (although I think citizens ought to be concerned about what's going on with guns--any of us could be a target any day, and that's not paranoia speaking). There are a number of issues that impact our lives, especially the justice system. I put up the second description to see if anyone would be interested in a story--and it is a page-turner story--that had some depth to it about contemporary social issues would have any appeal.

    So far, not so much.

    Liz P

    I think it depends on the reader. I don't mind reading some of Tom Clancy's stuff, but that seems to involve far-away things--things I don't feel a personal involvement with as much. (politely, why should I care about a war in afghanistan? It's fun to read about but it doesn't mess with my political beliefs really)

    On the other hand, something such as the 2nd amendment, or pro-choice/pro-life...I have strong beliefs on that. And if the book doesn't line up...well, then the book loses interest for me, because I can't relate to a character as easily. If that makes sense?

    It may just be your readers, too. I'm not a fan of anything that seems to push political views down my throat. (not that yours does, it just feels like that's a possibility, from reading your back copy)

    Ray Rhamey

    Liz, I'm with you on books that try to push political views down your throat. Not me. The intent of the novel is to allow people to try ideas on for size. And it is NOT a utopian story. There are warts and flaws in the characters and ideas. Yes, there's a point of view, but the ideas can be judged on merit no matter what your view is. I tried to start the story in a way that cast the more-or-less good guys as bad guys, and the Alliance as an antagonist, and then let the things that happen in the story change a reader's perception.

    Now, try to get all that in blurb of a bit of jacket copy.

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